Cultural Heritage - artifact preservation methods
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Book Review for Aerobiologists - Cultural
Heritage and Aerobiology, Methods and Measurement Techniques for
Biodeterioration Monitoring MoldAPedia ©
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Cultural Heritage and Aerobiology, Methods and Measurement Techniques for
Biodeterioration Monitoring, Paolo Mandrioli, Guilia Caneva, and Cristina Sabbioni, Eds., Kluwer Academic Publishers, 2003 ISBN 1-4020-1622-0
Betty van Herk
was kind enough to send along a review copy of this interesting new work which
arrived as I was investigating fungal problems for a library which includes old
books and magazines as well as oil paintings. I learned, for example,
that the cracks you see in an oil painting could be caused by unfavorable
microclimatic conditions at the back of the canvas, promoting the development
of microfungi that penetrate the canvas can push off
the paint. >What causes erosion, spots,
or opacification on glass and what different
organisms cause patinas? What molds do the most damage to plastic?
[Answers are below.]
More in-depth, un-biased, expert information on these topics and on building defect inspection, diagnosis, &
repair can be found at More Information below.
© Copyright 2008 Daniel Friedman, All Rights Reserved.
Information Accuracy & Un-Biased Reporting are Assured for this website - see pledge link at below-left.
New York State License # 16000005303 -- Contents.
This work
should be in the hands of aerobiologists who may be called upon to investigate
and diagnose various sources of biodeterioration
which plague a wide variety of cultural artifacts and materials, as well as to
address related human health concerns. Actually this application of aerobiology
will be of particular interest to all aerobiologists as well as other
investigators. The book's 243 pages present a compendium of museum, library,
and cultural artifact materials which can be damaged by biodeterioration.
The text goes on to describe tools and methods used to evaluate, monitor, and
avoid >biodeterioration
of valued artifacts that form our cultural heritage.
The scope of
materials affected by biodeterioration is broad,
including among organics: paper, wood, textiles, parchment, leather, paintings
(both ground layers and surface pigments), and plastics. The inorganic materials addressed include
stone, glass, and metals, stored both indoors and outside.
After introducing the materials of concern, the editors provide an inventory of
the basic environmental measurements such as temperature, air movement, and
light, followed by a chapter on the chemical characteristics of common
biodeteriogens, along with a look at gaseous and chemical
pollutants.
About half of the main text addresses methods and measurement techniques for the
monitoring of biological aerosols, defining the parameters an aerobiologist
would consider: deposition, settling velocity, impact, etc. followed by
sampling principles. A review of
sampling equipment and techniques is followed by a description of sample
analysis.
The
remaining text offers specific advice to libraries, museums, archives, churches
and people maintaining outdoor artifacts. Custodians charged with preserving
the cultural heritage in their charge will find guidance on aerobiological
monitoring of these artifacts and contents.
The book was
fascinating and for me as a non-expert, as it offers a useful survey of the
family of chemistry, transport mechanisms, monitoring devices and approaches,
and biological deterioration effects of a wider range of living stuff than my
more familiar mold spores: bacteria, actinomycetes, cyanobacteria,
algae, lichens, and even higher plants and mosses as well as a wide range of
other agents are discussed.
The strength
of the book is its discussion of aerobiological principles of transport,
chemistry, and biodeterioration, and it's emphasis on
matching >monitoring and analytical
methods to the chemical or biological agent being watched. It offers specific
details needed to get from theory to practice.
The text is
not comprehensive in advice on >selection
of monitoring and sampling equipment. As a compendium which collects
contributions from a variety of authors, there is often unevenness in depth
across topics. Sections on monitoring equipment focus on sampling tools
familiar to the authors and fitting certain analysis procedures
(Anderson cascade sampler, Rotorod
sampler, liquid impingers), while some current,
convenient equipment are not discussed (Burkard personal air sampler,
Air-O-Cell type
cassettes, Gil-Air type portable, variable-flow-rate vacuum pumps). The reader should be able to
translate the methodological advice to the world of alternative tools. Finally,
the book's index is spartan and does not do justice
to its contents. I found myself adding my own index entries as I read through
the text.
Whether you're charged with monitoring and preserving
artifacts or are specializing in another field of aerobiology, this is
interesting and useful reading.
This review appeared in the Pan American Aerobiology Association Newsletter,
Spring 2004 - see www.paaa.org for access to
past newsletters.
Daniel Friedman
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